Tag Archives: audiobook

SING, UNBURIED, SING by Jesmyn Ward

Jesmyn Ward’s Sing, Unburied, Sing came out to great acclaim in 2017, and even though I picked up an ARC at Book Expo that year, I just never got to it. Perhaps I was daunted by what I expected to be a difficult topic? It sat on my shelf until a few weeks ago, when I decided to try it in an audio/print tandem read. It helped that Ron Charles discussed how good the audiobook was when he came on The Readerly Report, and that Nicole also spoke highly of the book when she, too, finally got to it earlier this year.

Why I picked it up: I was way overdue.

Sing, Unburied, Sing is about a family living in Mississippi. Mam and Pop live with their grown daughter Leonie (their son Given is dead) and their grandchildren Jojo and Kayla. The kids’ father, Michael, is in prison but soon to be released. Leonie is black and Michael is white. Michael’s parents have never accepted Leonie as their son’s partner nor sought any relationship with their grandchildren, while Mam and Pop have basically raised Jojo and Kayla while Leonie is often off getting high. Jojo, 13, takes care of Kayla too, filling a parental void left by Leonie’s frequent absences.

When Michael’s release date approaches, Leonie decides to drive to get him from prison, along with their kids and a friend she knows from work. The road trip to and from the prison takes up much of the book. Along the way, the distance between Jojo and Leonie gets more pronounced, with Jojo increasingly frustrated at his mother’s failures as a parent and Leonie’s resentment of her children’s closeness and lack of need for her. Meanwhile, Jojo, on the precipice between boy- and adulthood, gains a clearer picture of his mother – her limitations and also the tenderness she shows to Michael.

The ride also provides Ward a vehicle to explore racism – the group gets pulled over by the police en route back from the prison, and an unannounced visit to Michael’s parents does not go well. Meanwhile, both Jojo and Leonie are haunted by ghosts along the way, with Leonie seeing her dead brother Given every time she gets high and Jojo being accompanied by the ghost of boy his age named Ritchie who served time in the same prison as Pop decades earlier. These ghosts serve as a painful reminder of the legacy of racism in Mississippi and are a grim foreboding of what Jojo will face in his life as a black man.

Ward’s writing is lyrical and sensuous. I felt like I was in the back of that hot car with the kids, experiencing their mixture of dread, curiosity, anger and the yearning for a family unit that could buffer some of the pain of growing up amidst racism and inequality. There is a lot of pain here: guilty characters trying to redeem themselves and disappointed characters trying to forgive and rebuild. The ghosts – victims of horrific acts of violence – add another layer of unease to the story. So while this is not an easy read – and arguably not the best choice for a pandemic – I am so glad I picked it up.

I listened to Sing, Unburied, Sing on audio and also read the print, probably a 50/50 split. The audio is fantastic. It is performed by Kelvin Harrison Jr., Chris Chalk and Rutina Weley, and they make the prose sound like poetry. Ron Charles (or was it his wife?) was exactly right – it’s a superb audiobook. I recommend having the print available too because there are times, especially those involving the ghosts, when it’s helpful to reinforce the audio with the print just to make sure you’re following what’s going on.

Sing, Unburied, Sing was Book #21 of 2020 and it satisfies the “Book That’s Been On My Shelf For 2+ Years” category of the 2020 EDIWTB Reading Challenge.

INSIDE OUT by Demi Moore

One book genre that has unexpectedly been holding my attention during quarantine is what I call pop culture nonfiction. The Office was an engaging audiobook, one of the few books I finished in April, and after finishing it I turned to Demi Moore’s memoir, Inside Out. It turned out to be surprisingly interesting, and was a book I returned to eagerly whenever I had the chance. (I know I’m into a book when I bring my iPhone in the shower to get a few extra minutes of listening in. Weird?)

Inside Out is the story of Demi Moore’s chaotic childhood, entry into acting, rise to superstardom and experience as a wife and mother. As a child of the 80s, my Demi Moore consciousness was shaped by movies like St. Elmo’s Fire and About Last Night, but her bigger hits – movies like Striptease and G.I. Jane – and celebrity marriages propelled her into the echelon of highest-paid actresses and cemented her place on Hollywood’s A-list. In recent decades Moore has perhaps been best known as the mother to her three daughters with Bruce Willis, as Ashton Kutcher’s wife – and ex-wife, and for her well-publicized struggle with drugs, topics she covers with honesty in Inside Out.

Moore was born to two alcoholic parents who provided their daughter with an extremely unstable home life punctuated by frequent moves and school changes, separations and reconciliations, exposure to drugs and alcohol and a complete lack of parenting and guidance. Moore’s crazy childhood and adolescence, coupled with her complicated relationship with her troubled mother (her father committed suicide in 1980), formed the root of problems that would follow her throughout her life – alcoholism and drug addiction, lack of self-confidence, disordered eating and issues with intimacy and reliance on others. Moore is very honest in the book about her doubts about her acting ability and her attitudes about her body, exercise and dieting. She also goes deep into her relationships with the men in her life – Emilio Estevez, Willis and Kutcher, explaining what attracted her to them, what worked, and what eventually broke them up.

I found the sections about being a mother to her three daughters especially poignant, as Moore identifies parenting as the one activity and accomplishment in her life that she is most proud of. After a drug overdose in the early 2010s, she endured three years of her family not speaking to her, a very painful time for Moore. After reconciling with her daughters, she embarked on the book project, publishing Inside Out in 2019.

Moore does like to play the blame game, shifting responsibility for some of her poor decisions onto her parents, her exes, her critics, Hollywood’s expectations, etc. That got a little tiresome. But I liked a lot of what she had to say about pay equity, balancing motherhood with career and not losing your identity in your relationships.

I listened to Inside Out on audio, narrated by Moore. I couldn’t imagine hearing these words in anything other than Moore’s signature raspy voice. Great audiobook (and pretty short too, at 6.5 hours).

Inside Out was Book #20 of 2020 and satisfies the Celebrity Memoir category of the 2020 EDIWTB Reading Challenge.

THE OFFICE by Andy Greene

I am reading in fits and starts these days. Most books don’t stick very well, which means that I end up slowly getting through them while wishing I was reading something else. Such is life during pandemic. One book that stuck, though, was The Office: The Untold Story Of The Greatest Sitcom Of The 2000s by Andy Greene. This oral history of one of my favorite sitcoms was entertaining all the way through.

The Office was a sitcom on NBC that aired from 2005 to 2013. Set in the Scranton branch office of a failing paper company, its motley crew of characters combined with single camera setup and a documentary-style production to create must-see-TV in an era when most people time-shifted or ultimately downloaded shows. I watched it when it aired, and then watched it again when my daughters discovered it a few years ago on Netflix, just as many of their Gen Z friends have. It’s a very, very funny show that made Steve Carell, John Krasinski and Rainn Wilson, among others, household names and earned trademarks like “That’s what she said”, The Dundies and Jim and Pam’s first kiss well-deserved spots in TV history.

The Office (the book) is an oral history of the show, told through the perspectives of its creator, Greg Daniels and many of the show’s writers, cast and crew. Starting with the ill-advised decision to recreate the hit British version of the show in the U.S., The Office chronicles the show’s early days when ratings and budgets were low and runs through the nine seasons in which it aired. Greene devotes individual chapters to a few seminal episodes as well, sprinkling in the backstory behind “Diversity Day”, “Casino Night”, “Dinner Party”, “Niagara” and others of The Office‘s most memorable episodes. You’ll learn a lot about the creative process behind the show, the history of its brilliant casting and the legacy it left on television.

You probably already know whether you want to read this book. If you’ve never seen the show, or watched only a few episodes, The Office shouldn’t be on your TBR. But if you watched the whole run (even the dreadful James Spader era), cried when the wedding guests danced down the aisle to “Forever” at Jim and Pam’s wedding, gasped when Michael Scott reappeared in the finale and can’t resist your own well-placed “That’s what she said,” then this is the book for you. Things are pretty dark right now, but The Office provided 14 hours, 20 minutes of escapist entertainment for me at a time I really needed it.

I listened to The Office on audio, which I think is the way to do it. It’s an oral history (the people reading the parts aren’t actually the actual cast and crew) and I liked that I could recognize the different contributors by the narrators’ voices. Plus, Therese Plummer performs the Jenna Fischer sections – score! So if you’re thinking about picking up The Office, give strong consideration to the audiobook.

I’ll finish this post with a list of my favorite Office episodes:

  1. Niagara
  2. The Injury
  3. Basketball
  4. Casino Night
  5. Stress Relief

The Office was Book #17 of 2020.

LONG BRIGHT RIVER by Liz Moore

Long Bright River by Liz Moore is a hybrid domestic fiction/police procedural about two sisters in Philadelphia: Mickey, a police officer, and Kacey, a drug addict who has been in and out of rehab. When the book opens, Mickey is trying to locate her sister amid a series of unsolved murders of young women in the Kensington area of Philadelphia.

Why I picked it up: I’d read very good reviews of Long Bright River since it came out in January and it was a December 2019 BOTM pick. But Sarah’s interview of Liz Moore on Sarah’s Bookshelves Live sealed the deal. I started it in audio, but brought it on a business trip this week and finished it in print.

This was a good one! In Long Bright River, Moore expertly teases out two stories – the Then and the Now. Then covers Mickey and Kacey’s childhoods and how they ended up taking such different paths in life. The daughters of an addict, they were raised by their grandmother after their mother’s death and father’s disappearance. They were given very little support as kids, and while Mickey studied hard and did well in school and Kacey turned to drugs as a teenager, their upbringing had deep ramifications for both women. In Now, Mickey, troubled by the rash of murders of similarly situated women, embarks on a desperate search to find her sister, often ignoring police protocol and putting her own career at risk.

Mickey is also the single mother of a young boy, Thomas, struggling to provide him with security and consistency but without the means to pay for proper daycare or private pre-school. She cobbles together childcare, often leaving him under less than ideal conditions while trying to find her sister. (This added a layer of tension to the book.)

Despite its 470 pages, I flew through Long Bright River. It’s incredibly suspenseful, and Moore masterfully teases out both timelines, revealing what happened little by little and and throwing in a few curveballs along the way. It’s a deeply sad book; Mickey’s loneliness and estrangement from what remains of her family and the details of Philadelphia’s opioid crisis combine for some pretty bleak reading. She made some bad decisions, but I had a lot of empathy for her (and ultimately for her sister).

The ending took the book down a notch for me, as I felt it wrapped up hastily and implausibly. Moore raced through some key scenes where I wanted a bit more dialogue and explanation, which left me a little unsatisfied. But overall I really enjoyed Long Bright River and am so glad I picked it up.

I listened to the first quarter of Long Bright River on audio before I turned to the print. It was narrated by Allyson Ryan, who was mostly businesslike and firm in her performance, like Mickey. I thought she did a good job with it. I realized early on that her voice was familiar – she was the narrator of Fleishman Is In Trouble, a very different book. Warning: if you listen to Long Bright River on audio, have the print available too, because you’re going to want to read ahead. Trust me.

Long Bright River was Book #9 of 2020. It satisfies the Recommended On A Podcast category, though I already have The Cactus League in that slot.

WHEN WE WERE VIKINGS by Andrew David MacDonald

When We Were Vikings by Andrew David MacDonald is a novel about siblings trying to make their way through life despite a lot of adversity. Zelda and Gert’s parents are gone – their mother, an alcoholic, died of cancer and their father disappeared when they were young. Zelda was born with Fetal Alcohol Spectrum Disorder, compromising her mental development and limiting her independence. She is obsessed with Vikings, and turns to Viking culture and rules to guide her throughout life.

Why I picked it up: I got When We Were Vikings as an ARC at Book Expo last year and recently started seeing reviews as its January publication day approached. I’ve seen comparisons to Eleanor Oliphant Is Completely Fine, which I enjoyed a lot.

Zelda and Gert have a lot going against them. They’re young and living on their own, having moved out of their uncle’s apartment after he started sexually abusing Zelda. Gert has dropped out of college and now deals drugs in order to support them, and Zelda, who spends her days either at the community center or seeing a therapist or hanging out at home, is dependent on Gert for everything.

When Zelda discovers that Gert is no longer attending classes, she draws inspiration from her beloved Vikings to try turn his life around while contributing more substantially to their home. She gets a job, experiments with having a boyfriend, and tries to repel the shady characters who have started invading their already fragile household, thanks to Gert’s new livelihood.

Zelda is an interesting narrator: she is articulate, engaged and compelling, but she is also naive and has poor judgment. MacDonald walks a fine line here – he has to make Zelda complex enough to feel invested in, but if she comes across as too smart, she’s not plausible as a character. For the most part, I think he did a good job achieving this balance. There were a few times when she seemed too sophisticated and used words that she wouldn’t have known, but in general MacDonald did a good job creating a consistent character.

Gert and Zelda are flawed but fundamentally good people who have been dealt some tough cards. I felt a sense of dread as the book went on, worrying about what was going to happen to them and how they would get through it. (Hint: it’s never good when a gun appears in a book.) When We Were Vikings is a touching novel and Zelda a winning protagonist. I also learned a lot about Vikings. It could have used a little more editing and the end is a bit abrupt (and unrealistic), but for a debut novel, When We Were Vikings was pretty impressive. And Macdonald did a very nice of getting into a woman’s head.

I listened to When We Were Vikings on audio. The narrator, Phoebe Strole, had a perky, upbeat delivery that at times was incongruous with what was happening in the book, but her narration gave Zelda a naivete and optimism that was entirely consistent with her character. I recommend the audio version.

When We Were Vikings was Book #6 of 2020 and satisfies the Debut Novel category of the 2020 EDIWTB Reading Challenge.

DEAR EDWARD by Ann Napolitano

Dear Edward has one of those storylines that makes you want to pick the book up: a plane from New York to Los Angeles crashes over Colorado, killing everyone on board except for one person, a twelve year-old boy named Edward who was flying with his parents and older brother. Dear Edward follows Edward’s life after the crash, when he moves in with his aunt and uncle, and also flashes back to the hours leading up to the crash and the lives of some of the other people on the plane.

Why I picked it up: I fell for this irresistible premise once I started seeing buzz about this book everywhere. It was Read With Jenna‘s January pick as well as a BOTM selection from December. Dear Edward had also been sitting on my shelf since May, when I got it at Book Expo 2019.

I have mixed feelings about Dear Edward. On the one hand, it’s an interesting story, and there were elements that I found particularly compelling. Edward received letters from families of the people who died – hundreds of them – and I could understand that being a realistic response by their authors. After all, Edward was the last person alive to see the other passengers before they died. His sense of dislocation and emotional paralysis after the crash also made a lot of sense and was depicted well by Napolitano.

But I had a hard time connecting to Dear Edward. Napolitano glossed over huge parts of the story, simplifying them down to a conversation or even a few sentences. Edward’s grief – as well as his aunt’s – was superficially plumbed, leaving little sense of the true depth of their loss. Edward’s relationship with Shay, the girl next door who befriends him immediately upon his arrival in his new home, forms the backbone of Dear Edward, but how realistic is it that he would sleep on her bedroom floor for three years straight and not make a single other friend? For every element that rang true, there was one that left me shaking my head. In the end, I had trouble connecting emotionally to this book and found it more simplistic than its topic warranted.

I listened to Dear Edward on audio, and I wonder if that had something to do with my feelings about it. I found that when I read it in print (which I did from time to time), I liked it better. There was something about Cassandra Campbell’s narration that didn’t work for me here. I’ve listened to a lot of her books and maybe she just sounds too familiar to me at this point? When I read the book in print, I found it more substantive.

In the end, this was a 3.5 star read for me. Enough there to make it memorable but not, in the end, one of my favorites so far this year.

Dear Edward was Book #5 of 2020 and satisfies the Book With A Blue Cover category of the 2020 EDIWTB Reading Challenge.

THE BODY IN QUESTION by Jill Ciment

The Body In Question – a new summer 2019 release coming out on June 11 – is a relatively short but addictive novel by Jill Ciment about a woman in her 50s who is chosen as a juror for a murder case in Florida. The jury is sequestered due to the sensational nature of the charges – a teenage girl is accused of setting a fire that killed her baby brother – and during the trial, the juror (#C-2) develops a sexual relationship with one of the other jurors (#F-17). She has a much older, infirm husband, and the first half of the book covers her affair with the juror and the culmination of the trial, while the second half explores her relationship with her husband after the trial.

I really enjoyed The Body In Question, for a bunch of reasons. First, jury dynamics are fascinating. I don’t like courtroom dramas and find trials really tedious (hello, ex-lawyer here), but I really like learning about juries and how they come to their decisions. Ciment did a great job here with realistic characters and dialogue, relatable situations and consistent tension throughout the book. I felt invested and wanted to know how the trial would come out, as well as whether C-2 would end things with F-17 before they got caught by the other jurors or the guards at the Econo-Lodge.

There are a lot of big issues at play here – loyalty, mortality, guilt and obsession for starters. C-2 has a coldness to her, reflected in her interactions with both her husband and F-17, which keeps the reader at arm’s length, emotionally. But it didn’t impact my enjoyment of the book. The writing is spare and efficient, with no extraneous detail or dialogue. The last section is particularly powerful, where Ciment looks unflinchingly at difficult choices made at the end of life.

I listened to The Body In Question on audio. It was narrated by Hillary Huber, who was a perfect choice for this book. Her raspy voice conveys confidence and brashness, just like C-2. It’s like she’s daring you to judge C-2, while at the same time communicating that she doesn’t care if you do. Excellent audiobook.

THE DINNER LIST by Rebecca Serle

The Dinner List by Rebecca Serle opens with its main character, Sabrina, walking into her birthday dinner and finding 5 guests waiting for her: her best friend Jessica, her ex-boyfriend Tobias, her late, estranged father Robert, her favorite college professor Conrad, and Audrey Hepburn. This list of guests came from a game she used to play with Jessica: which five people would you invite to a dinner party?

Sabrina has unfinished business with some of the guests. When he died, she hadn’t seen her father since she was an infant, and had been angry at him for years for his abandonment and for moving on with a new family and daughters. She also feels abandoned by Jessica, with whom she had lived in New York City in their twenties but who has graduated to a house in Connecticut with a husband and a new baby. And most complicated is her relationship with Tobias, a man she was involved with for almost a decade but with whom she is no longer together. The Dinner List goes back and forth between the conversation at the restaurant and the recounting of Sabrina and Tobias’ relationship.

I am not really a fan of magical realism, so the suspension of belief needed to accept that Sabrina was at dinner with dead people didn’t come easily to me. The dinner conversation is strange, of course, given the company at the table and the circumstance of their gathering. I preferred the chapters that told Sabrina and Tobias’ history: a typical twentysomething relationship with its ups and downs as they tried to make lives for themselves that worked for each other too. The book is full of sadness , as Sabrina tries to work through the ways her relationships changed over time, ultimately disappointing her and leaving her feeling alone. The inclusion of Conrad and Audrey Hepburn seemed gimmicky to me. Neither added much to Sabrina’s understanding and acceptance of the turns her relationships took – especially Audrey – so while the dinner list idea was cute, it didn’t actually contribute much to the story in the end.

The Dinner List is not a light read. It’s a bittersweet story about accepting that the people we love aren’t always who we want them to be, nor can we always be who we want for them. Life is full of loss and disappointment; the best we can do is appreciate the moments and people we have for the time we have them.

I started The Dinner List on audio and DO NOT recommend it. It’s narrated by the author, and while she can write, she can’t narrate. Each character was performed in the exact same breathless, monotone. I read a review that said that the audio reminded the reviewer of a writing student sitting in the front of the room reading her story out loud. YES. I switched to the print copy about halfway through the audiobook and it made a HUGE difference in my enjoyment of the book. So if you’re tempted to do this on audio, don’t.

BECOMING by Michelle Obama

I just finished the 19-hour audiobook of Becoming, narrated by author Michelle Obama. It was totally worth the time investment, as I loved every minute of it.

Becoming is Michelle Obama’s memoir of her life to date (age 54 when she finished the book). It opens with her childhood on the south side of Chicago, where she lived with her parents and her older brother Craig. She describes the Robinsons’ small apartment, her father’s debilitating MS, her mother’s consistent and loving parenting, and the schools she attended in Chicago. The book follows her to Princeton, to Harvard Law School, to her years as an associate at a big law firm, and to her meeting a young summer associate named Barack Obama. The rest of her story is well-known, at least on the surface.

Becoming is an intensely personal, eloquent and relatable memoir about, as Michelle herself describes herself, “an ordinary person who found herself on an extraordinary journey”. My favorite parts: her days as a young working mother, when she would run errands at a nearby mall during lunch and congratulate herself on getting it all done; her struggle with infertility, combined with a frequently-absent husband; her struggle to balance the demands of the White House with the need to support her daughters and keep their lives private; and the insights into her partnership with Barack and their relationship within the walls of the White House.

It’s powerful to hear her talk about the issues and causes that meant so much to her – healthy eating and exercise for kids (including the White House garden), supporting military families and wounded veterans, empowering girls around the world – and how hard she worked to use her position to make meaningful progress with those causes.

I also loved the behind-the-scenes details about life at the White House and how isolating it could be. One night, when the White House was lit in rainbow colors to celebrate the legalization of gay marriage, Michelle and Malia tried to sneak out of the residence in order to experience the lights the way the thousands of celebrants outside did. She wanted to hear the sounds – something that was impossible to do within the White House.

Becoming is beautifully written, utterly captivating and pure pleasure to read. I can’t say enough good things about it – and its author.

I listened to Becoming on audio. Michelle’s narration makes the book even that more powerful. It is amazing to hear her experiences and thoughts in her own voice. She’s a consistent and compelling narrator. If you can spare the time, I highly recommend the audio!

THE HATING GAME by Sally Thorne

Like so much of life – relationships, career moves – reading is all about timing. Sometimes you’re in the mood for a particular kind of book, and sometimes you’re not. It’s just timing. This is why I don’t plan my TBR – I just let it happen.

Recently, I had finished my audiobook and started the one I had planned to read next, a memoir about a man who had been on death row for 30 years for a crime that he didn’t commit. I listened to the first half hour or so, then picked up the print to see what I thought, and then came to the conclusion that it was just the wrong book for me at that time. It was well-written and extremely compelling, but I was too stressed out and preoccupied with life to get into it.

Instead, I picked up something light and fun, and it turned out to be exactly the right choice.

The Hating Game by Sally Thorne is about Lucy Hutton and Joshua Templeman, two junior executives at a publishing house who are bitter, angry rivals. They report to co-CEOs, a management structure dictated by the merger of two companies, and spend their days sitting outside their bosses’ offices playing immature games designed to unnerve, infuriate and enrage each other. Whether it’s staring, eavesdropping or making snarky comments, every action taken by these two is meant to sabotage and destroy the other.

So we all know what’s going to happen, right? But how Thorne gets Lucy and Josh from detesting each other to something very different is a great ride. Their banter is genuinely funny and clever, and the buildup of the physical tension between Lucy and Josh makes the pages turn quickly. I would have liked a *little* more hating – maybe two more chapters – before the wall began to crumble, but that’s a minor quibble. I also think The Hating Game wrapped up too quickly – as readers we should have had a little more time to enjoy its hard-won glory. But in all it was a great palate-cleanser. Every now and again, I need something like this to balance the depressing weight of my usual fare.

I listened to The Hating Game on audio (except when I just couldn’t put it down and picked up the print). I know I’m enjoying an audiobook when I bring my phone into the shower to listen. Katie Schorr was the perfect Lucy. I can’t imagine any other voice for that character!

If you’re in the mood for something light that will distract and entertain you, try The Hating Game. I was surprised to like it as much as I did.